Art deco
Stepped geometry, perfect symmetry and the confidence of the machine age, when skyscrapers were drawn like jewelry.
Before there was a piece, there was this. Andrew wrote it to explain what the work is for. Everything Giomonte makes answers to it.
We are, as individuals, fleeting figments captured in time, of a grander fractal of consciousness, material, space, and time.
We collectively agree that the universe is the way that it is, because it serves us well and it works for us, by necessity. Our perception creates the universe we’re experiencing, writing the stories as we go, world building.
Life is learning and creating. Every individual experiences a unique timeline and universe, and explores this world we, the collective conscious, have come to a consensus exists as we see fit.
Everything, everyone, everywhere, and every timeline is relative. We are all relatives. If you happen to exist in this unique universe of mine, I hope you will enjoy this figment of the fractal I’ve created for you.
We are all together in the singularity. We love you. I love you.
Giomonte is Andrew Montez. He draws every form, carves every master and finishes every piece himself. There is no factory behind the name and no catalog of stock designs, only the forms in the current chapter and the commissions on the bench.
The work sits between modern luxury and something older and darker: art deco precision, gothic weight, a little cyberpunk, and the geometry people have been carving into metal and stone for thousands of years.

No mass production and no outsourced finishing. If a step cannot be done properly by hand, the piece waits until it can.
Editions are fixed before the first cast. Your number is stamped on the bail and recorded, so a Giomonte piece can always prove what it is.
When an edition sells out, the master is retired in that metal. Scarcity here is a rule, not a marketing trick.
Sterling and gold, never plated base metal, never hollow backed. You should feel it the moment it is in your hand.
Black at the core, one signature color cut through it, and gold where something should catch your eye.
Stepped geometry, perfect symmetry and the confidence of the machine age, when skyscrapers were drawn like jewelry.
Hard edges, dense texture and a future that already feels lived in. Precision that looks engineered, not decorated.
Weight, shadow and a little darkness worn well. Pieces that look as right with black leather as with a black suit.
Forms older than writing, triangles, hexagons and circles, recut for now. The same shapes keep coming back for a reason.
Commissions are how the universe of Giomonte grows. Bring a symbol that means something to you.